Performance by an actor in a leading role | |
| George Clooney in “Michael Clayton” (Warner Bros.) |
| Daniel Day-Lewis in “There Will Be Blood” (Paramount Vantage and Miramax) |
| Johnny Depp in “Sweeney Todd The Demon Barber of Fleet Street” |
| Tommy Lee Jones in “In the Valley of Elah” (Warner Independent) |
| Viggo Mortensen in “Eastern Promises” (Focus Features) |
| |
Performance by an actor in a supporting role | |
| Casey Affleck in “The Assassination of Jesse James by the Coward Robert Ford” (Warner Bros.) |
| Javier Bardem in “No Country for Old Men” (Miramax and Paramount Vantage) |
| Philip Seymour Hoffman in “Charlie Wilson’s War” (Universal) |
| Hal Holbrook in “Into the Wild” (Paramount Vantage and River Road Entertainment) |
| Tom Wilkinson in “Michael Clayton” (Warner Bros.) |
| |
Performance by an actress in a leading role | |
| Cate Blanchett in “Elizabeth: The Golden Age” (Universal) |
| Julie Christie in “Away from Her” (Lionsgate) |
| Marion Cotillard in “La Vie en Rose” (Picturehouse) |
| Laura Linney in “The Savages” (Fox Searchlight) |
| Ellen Page in “Juno” (Fox Searchlight) |
| |
Performance by an actress in a supporting role | |
| Cate Blanchett in “I’m Not There” (The Weinstein Company) |
| Ruby Dee in “American Gangster” (Universal) |
| Saoirse Ronan in “Atonement” (Focus Features) |
| Amy Ryan in “Gone Baby Gone” (Miramax) |
| Tilda Swinton in “Michael Clayton” (Warner Bros.) |
| |
Best animated feature film of the year | |
| “Persepolis” (Sony Pictures Classics) Marjane Satrapi and Vincent Paronnaud |
| “Ratatouille” (Walt Disney) Brad Bird |
| “Surf's Up” (Sony Pictures Releasing) Ash Brannon and Chris Buck |
| |
Achievement in art direction | |
| “American Gangster” (Universal)
|
| “Atonement” (Focus Features)
|
| “The Golden Compass” (New Line in association with Ingenious Film Partners)
|
| “Sweeney Todd The Demon Barber of Fleet Street” (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount)
|
| “There Will Be Blood” (Paramount Vantage and Miramax)
|
| |
Achievement in cinematography | |
| “The Assassination of Jesse James by the Coward Robert Ford” (Warner Bros.) Roger Deakins |
| “Atonement” (Focus Features) Seamus McGarvey |
| “The Diving Bell and the Butterfly” (Miramax/Pathé Renn) Janusz Kaminski |
| “No Country for Old Men” (Miramax and Paramount Vantage) Roger Deakins |
| “There Will Be Blood” (Paramount Vantage and Miramax) Robert Elswit |
| |
Achievement in costume design | |
| “Across the Universe” (Sony Pictures Releasing) Albert Wolsky |
| “Atonement” (Focus Features) Jacqueline Durran |
| “Elizabeth: The Golden Age” (Universal) Alexandra Byrne |
| “La Vie en Rose” (Picturehouse) Marit Allen |
| “Sweeney Todd The Demon Barber of Fleet Street” (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount) Colleen Atwood |
| |
Achievement in directing | |
| “The Diving Bell and the Butterfly” (Miramax/Pathé Renn) Julian Schnabel |
| “Juno” (Fox Searchlight) Jason Reitman |
| “Michael Clayton” (Warner Bros.) Tony Gilroy |
| “No Country for Old Men” (Miramax and Paramount Vantage) Joel Coen and Ethan Coen |
| “There Will Be Blood” (Paramount Vantage and Miramax) Paul Thomas Anderson |
| |
Best documentary feature | |
| “No End in Sight” (Magnolia Pictures) |
| “Operation Homecoming: Writing the Wartime Experience” (The Documentary Group) |
| “Sicko” (Lionsgate and The Weinstein Company) |
| “Taxi to the Dark Side” (THINKFilm) |
| “War/Dance” (THINKFilm) |
| |
Best documentary short subject | |
| “Freeheld” |
| “La Corona (The Crown)” |
| “Salim Baba” |
| “Sari’s Mother” (Cinema Guild) |
| |
Achievement in film editing | |
| “The Bourne Ultimatum” (Universal) Christopher Rouse |
| “The Diving Bell and the Butterfly” (Miramax/Pathé Renn) Juliette Welfling |
| “Into the Wild” (Paramount Vantage and River Road Entertainment) Jay Cassidy |
| “No Country for Old Men” (Miramax and Paramount Vantage) Roderick Jaynes |
| “There Will Be Blood” (Paramount Vantage and Miramax) Dylan Tichenor |
| |
Best foreign language film of the year | |
| “Beaufort” A Metro Communications, Movie Plus Production |
| “The Counterfeiters” An Aichholzer Filmproduktion, Magnolia Filmproduktion Production |
| “Katyń” An Akson Studio Production |
| “Mongol” A Eurasia Film Production |
| “12” A Three T Production |
| |
Achievement in makeup | |
| “La Vie en Rose” (Picturehouse) Didier Lavergne and Jan Archibald |
| “Norbit” (DreamWorks, Distributed by Paramount) Rick Baker and Kazuhiro Tsuji |
| “Pirates of the Caribbean: At World’s End” (Walt Disney) Ve Neill and Martin Samuel |
| |
Achievement in music written for motion pictures (Original score) | |
| “Atonement” (Focus Features) Dario Marianelli |
| “The Kite Runner” (DreamWorks, Sidney Kimmel Entertainment and Participant Productions, Distributed by Paramount Classics) Alberto Iglesias |
| “Michael Clayton” (Warner Bros.) James Newton Howard |
| “Ratatouille” (Walt Disney) Michael Giacchino |
| “3:10 to Yuma” (Lionsgate) Marco Beltrami |
| |
Achievement in music written for motion pictures (Original song) | |
| “Falling Slowly” from “Once” |
| “Happy Working Song” from “Enchanted” |
| “Raise It Up” from “August Rush” |
| “So Close” from “Enchanted”
|
| “That’s How You Know” from “Enchanted” |
| |
Best motion picture of the year | |
| “Atonement” (Focus Features) |
| “Juno” (Fox Searchlight) |
| “Michael Clayton” (Warner Bros.) |
| “No Country for Old Men” (Miramax and Paramount Vantage) |
| “There Will Be Blood” (Paramount Vantage and Miramax) |
| |
Best animated short film | |
| “I Met the Walrus” |
| “Madame Tutli-Putli” (National Film Board of Canada) |
| “Même Les Pigeons Vont au Paradis (Even Pigeons Go to Heaven)” (Premium Films) |
| “My Love (Moya Lyubov)” (Channel One Russia) |
| “Peter & the Wolf” (BreakThru Films) |
| |
Best live action short film | |
| “At Night” |
| “Il Supplente (The Substitute)” (Sky Cinema Italia) |
| “Le Mozart des Pickpockets (The Mozart of Pickpockets)” (Premium Films) |
| “Tanghi Argentini” (Premium Films) |
| “The Tonto Woman” |
| |
Achievement in sound editing | |
| “The Bourne Ultimatum” (Universal) |
| “No Country for Old Men” (Miramax and Paramount Vantage) |
| “Ratatouille” (Walt Disney) |
| “There Will Be Blood” (Paramount Vantage and Miramax) |
| “Transformers” (DreamWorks and Paramount in association with Hasbro) Ethan Van der Ryn and Mike Hopkins |
| |
Achievement in sound mixing | |
| “The Bourne Ultimatum” (Universal) |
| “No Country for Old Men” (Miramax and Paramount Vantage) |
| “Ratatouille” (Walt Disney) |
| “3:10 to Yuma” (Lionsgate) |
| “Transformers” (DreamWorks and Paramount in association with Hasbro)
|
| |
Achievement in visual effects | |
| “The Golden Compass” (New Line in association with Ingenious Film Partners)
|
| “Pirates of the Caribbean: At World’s End” (Walt Disney)
|
| “Transformers” (DreamWorks and Paramount in association with Hasbro) |
| |
Adapted screenplay | |
| “Atonement” (Focus Features) |
| “Away from Her” (Lionsgate) |
| “The Diving Bell and the Butterfly” (Miramax/Pathé Renn) |
| “No Country for Old Men” (Miramax and Paramount Vantage) |
| “There Will Be Blood” (Paramount Vantage and Miramax) |
| |
Original screenplay | |
| “Juno” (Fox Searchlight) |
| “Lars and the Real Girl” (MGM) |
| “Michael Clayton” (Warner Bros.) |
| “Ratatouille” (Walt Disney) Story by Jan Pinkava, Jim Capobianco, Brad Bird |
| “The Savages” (Fox Searchlight) |
Tuesday, January 22, 2008
AND THE NOMINEES ARE...
AND THE NOMINEES ARE...
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