| Performance by an actor in a leading role | |
| | George Clooney in “Michael Clayton” (Warner Bros.) |
| | Daniel Day-Lewis in “There Will Be Blood” (Paramount Vantage and Miramax) |
| | Johnny Depp in “Sweeney Todd The Demon Barber of Fleet Street” |
| | Tommy Lee Jones in “In the Valley of Elah” (Warner Independent) |
| | Viggo Mortensen in “Eastern Promises” (Focus Features) |
| | |
| Performance by an actor in a supporting role | |
| | Casey Affleck in “The Assassination of Jesse James by the Coward Robert Ford” (Warner Bros.) |
| | Javier Bardem in “No Country for Old Men” (Miramax and Paramount Vantage) |
| | Philip Seymour Hoffman in “Charlie Wilson’s War” (Universal) |
| | Hal Holbrook in “Into the Wild” (Paramount Vantage and River Road Entertainment) |
| | Tom Wilkinson in “Michael Clayton” (Warner Bros.) |
| | |
| Performance by an actress in a leading role | |
| | Cate Blanchett in “Elizabeth: The Golden Age” (Universal) |
| | Julie Christie in “Away from Her” (Lionsgate) |
| | Marion Cotillard in “La Vie en Rose” (Picturehouse) |
| | Laura Linney in “The Savages” (Fox Searchlight) |
| | Ellen Page in “Juno” (Fox Searchlight) |
| | |
| Performance by an actress in a supporting role | |
| | Cate Blanchett in “I’m Not There” (The Weinstein Company) |
| | Ruby Dee in “American Gangster” (Universal) |
| | Saoirse Ronan in “Atonement” (Focus Features) |
| | Amy Ryan in “Gone Baby Gone” (Miramax) |
| | Tilda Swinton in “Michael Clayton” (Warner Bros.) |
| | |
| Best animated feature film of the year | |
| | “Persepolis” (Sony Pictures Classics) Marjane Satrapi and Vincent Paronnaud |
| | “Ratatouille” (Walt Disney) Brad Bird |
| | “Surf's Up” (Sony Pictures Releasing) Ash Brannon and Chris Buck |
| | |
| Achievement in art direction | |
| | “American Gangster” (Universal)
|
| | “Atonement” (Focus Features)
|
| | “The Golden Compass” (New Line in association with Ingenious Film Partners)
|
| | “Sweeney Todd The Demon Barber of Fleet Street” (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount)
|
| | “There Will Be Blood” (Paramount Vantage and Miramax)
|
| | |
| Achievement in cinematography | |
| | “The Assassination of Jesse James by the Coward Robert Ford” (Warner Bros.) Roger Deakins |
| | “Atonement” (Focus Features) Seamus McGarvey |
| | “The Diving Bell and the Butterfly” (Miramax/Pathé Renn) Janusz Kaminski |
| | “No Country for Old Men” (Miramax and Paramount Vantage) Roger Deakins |
| | “There Will Be Blood” (Paramount Vantage and Miramax) Robert Elswit |
| | |
| Achievement in costume design | |
| | “Across the Universe” (Sony Pictures Releasing) Albert Wolsky |
| | “Atonement” (Focus Features) Jacqueline Durran |
| | “Elizabeth: The Golden Age” (Universal) Alexandra Byrne |
| | “La Vie en Rose” (Picturehouse) Marit Allen |
| | “Sweeney Todd The Demon Barber of Fleet Street” (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount) Colleen Atwood |
| | |
| Achievement in directing | |
| | “The Diving Bell and the Butterfly” (Miramax/Pathé Renn) Julian Schnabel |
| | “Juno” (Fox Searchlight) Jason Reitman |
| | “Michael Clayton” (Warner Bros.) Tony Gilroy |
| | “No Country for Old Men” (Miramax and Paramount Vantage) Joel Coen and Ethan Coen |
| | “There Will Be Blood” (Paramount Vantage and Miramax) Paul Thomas Anderson |
| | |
| Best documentary feature | |
| | “No End in Sight” (Magnolia Pictures) |
| | “Operation Homecoming: Writing the Wartime Experience” (The Documentary Group) |
| | “Sicko” (Lionsgate and The Weinstein Company) |
| | “Taxi to the Dark Side” (THINKFilm) |
| | “War/Dance” (THINKFilm) |
| | |
| Best documentary short subject | |
| | “Freeheld” |
| | “La Corona (The Crown)” |
| | “Salim Baba” |
| | “Sari’s Mother” (Cinema Guild) |
| | |
| Achievement in film editing | |
| | “The Bourne Ultimatum” (Universal) Christopher Rouse |
| | “The Diving Bell and the Butterfly” (Miramax/Pathé Renn) Juliette Welfling |
| | “Into the Wild” (Paramount Vantage and River Road Entertainment) Jay Cassidy |
| | “No Country for Old Men” (Miramax and Paramount Vantage) Roderick Jaynes |
| | “There Will Be Blood” (Paramount Vantage and Miramax) Dylan Tichenor |
| | |
| Best foreign language film of the year | |
| | “Beaufort” A Metro Communications, Movie Plus Production |
| | “The Counterfeiters” An Aichholzer Filmproduktion, Magnolia Filmproduktion Production |
| | “Katyń” An Akson Studio Production |
| | “Mongol” A Eurasia Film Production |
| | “12” A Three T Production |
| | |
| Achievement in makeup | |
| | “La Vie en Rose” (Picturehouse) Didier Lavergne and Jan Archibald |
| | “Norbit” (DreamWorks, Distributed by Paramount) Rick Baker and Kazuhiro Tsuji |
| | “Pirates of the Caribbean: At World’s End” (Walt Disney) Ve Neill and Martin Samuel |
| | |
| Achievement in music written for motion pictures (Original score) | |
| | “Atonement” (Focus Features) Dario Marianelli |
| | “The Kite Runner” (DreamWorks, Sidney Kimmel Entertainment and Participant Productions, Distributed by Paramount Classics) Alberto Iglesias |
| | “Michael Clayton” (Warner Bros.) James Newton Howard |
| | “Ratatouille” (Walt Disney) Michael Giacchino |
| | “3:10 to Yuma” (Lionsgate) Marco Beltrami |
| | |
| Achievement in music written for motion pictures (Original song) | |
| | “Falling Slowly” from “Once” |
| | “Happy Working Song” from “Enchanted” |
| | “Raise It Up” from “August Rush” |
| | “So Close” from “Enchanted”
|
| | “That’s How You Know” from “Enchanted” |
| | |
| Best motion picture of the year | |
| | “Atonement” (Focus Features) |
| | “Juno” (Fox Searchlight) |
| | “Michael Clayton” (Warner Bros.) |
| | “No Country for Old Men” (Miramax and Paramount Vantage) |
| | “There Will Be Blood” (Paramount Vantage and Miramax) |
| | |
| Best animated short film | |
| | “I Met the Walrus” |
| | “Madame Tutli-Putli” (National Film Board of Canada) |
| | “Même Les Pigeons Vont au Paradis (Even Pigeons Go to Heaven)” (Premium Films) |
| | “My Love (Moya Lyubov)” (Channel One Russia) |
| | “Peter & the Wolf” (BreakThru Films) |
| | |
| Best live action short film | |
| | “At Night” |
| | “Il Supplente (The Substitute)” (Sky Cinema Italia) |
| | “Le Mozart des Pickpockets (The Mozart of Pickpockets)” (Premium Films) |
| | “Tanghi Argentini” (Premium Films) |
| | “The Tonto Woman” |
| | |
| Achievement in sound editing | |
| | “The Bourne Ultimatum” (Universal) |
| | “No Country for Old Men” (Miramax and Paramount Vantage) |
| | “Ratatouille” (Walt Disney) |
| | “There Will Be Blood” (Paramount Vantage and Miramax) |
| | “Transformers” (DreamWorks and Paramount in association with Hasbro) Ethan Van der Ryn and Mike Hopkins |
| | |
| Achievement in sound mixing | |
| | “The Bourne Ultimatum” (Universal) |
| | “No Country for Old Men” (Miramax and Paramount Vantage) |
| | “Ratatouille” (Walt Disney) |
| | “3:10 to Yuma” (Lionsgate) |
| | “Transformers” (DreamWorks and Paramount in association with Hasbro)
|
| | |
| Achievement in visual effects | |
| | “The Golden Compass” (New Line in association with Ingenious Film Partners)
|
| | “Pirates of the Caribbean: At World’s End” (Walt Disney)
|
| | “Transformers” (DreamWorks and Paramount in association with Hasbro) |
| | |
| Adapted screenplay | |
| | “Atonement” (Focus Features) |
| | “Away from Her” (Lionsgate) |
| | “The Diving Bell and the Butterfly” (Miramax/Pathé Renn) |
| | “No Country for Old Men” (Miramax and Paramount Vantage) |
| | “There Will Be Blood” (Paramount Vantage and Miramax) |
| | |
| Original screenplay | |
| | “Juno” (Fox Searchlight) |
| | “Lars and the Real Girl” (MGM) |
| | “Michael Clayton” (Warner Bros.) |
| | “Ratatouille” (Walt Disney) Story by Jan Pinkava, Jim Capobianco, Brad Bird |
| | “The Savages” (Fox Searchlight) |
